SPECTRE Reviews - Metacritic. If I had to sum up the film in one word, that word would be: soulless. It's baffling to really understand how Spectre went wrong, but I think I've managed to find some root causes.
The narrative of the film is what lets the whole production down. At first it may be surprising considering the misleading credits mentions the writers as Logan, Wade and Purvis, the same writing trio as Skyfall, with Wade and Purvis being veritable veterans to Craig's stint as Bond, also writing both Casino Royale and Quantum of Solace. The bulk of the writing was however done by Logan and director Sam Mendes.
Wade and Purvis where brought in at the last minute to touch up some of the screenplay after Craig and Mendes were dissatisfied by the finished product. Ejecting Wade and Purvis may have been a decision motivated by finance, but right now it feels like it has backfired. Logan's writing is like a mish- mash of what is . Compare this to Quantum of Solace's rip- roaring opening car sequence, where it gets dirty, bloody and brutal. The whole scene is indicative of the film over all. There is a lack of substance to every attempt at box- ticking the Bond tropes. Swann bizarrely decides she doesn't want to be part of the films climax, despite assisting Bond happily up to this moment, in what is some spectacularly awful writing.
The maturity of writing between Green's Vesper and Seydoux's Swann is perfectly exemplified with the brutal stairwell fight in Casino Royale and it's aftermath, compared to the train fight. In Casino Royale, Bond is bruised, bleeding and emotion exhausted, . In Spectre, Bond barely has a hair out of place after the train fight, makes a quip and he and Swann have sex. It's awkward and emotionally shallow writing. It's almost the opposite of Skyfall's Raoul Silva, a villain that gets extensive characterisation.
The principle henchman portrayed by Bautista suffers from the same treatment. He pops up to be instantly whacked back down by Bond, there is very little tension in his scenes, he never . We are told he is dangerous, but what we see is incompetence. The tone sways between an attempt to ground the film in some very contemporary political commentary with the.
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